High up above the open, welcoming door
It hangs, a piece of wood with colors dim.
Once, long ago, it was a wavering tree
And knew the sun and shadow through the leaves
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Of forest trees, in thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
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And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among.
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
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Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
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Had fashioned it like to the untamed sea.
Here waves uprear themselves, their tops blown back
By the gay, sunny wind, which whips the blue,
And breaks it into gleams and sparks of light.
Among the flashing waves are white birds
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Which swoop, and soar, and scream for very joy
At the wild sport. Now diving quickly in,
Questing some glistening fish. Now flying up,
Their dripping feathers shining in the sun,
While the wet drops like little glints of light,
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Fall pattering backward to the parent sea.
Gliding along the green and foam-flecked hollows,
Or skimming some white crest about to break,
The spirits of the sky deigning to stoop
And play with ocean in a summer mood.
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Hanging above the high, wide open door,
It brings to us in quiet, firelit room,
The freedom of the earth's vast solitudes,
Where heaping, sunny waves tumble and roll,
And seabirds scream in wanton happiness.
Which statement provides the best objective summary of the poem?
A. A person wishes that a beautiful wood-carving could tell of its former life in a mossy forest and the whispers of the trees.
B. A person considers how some seabirds and the ocean are depicted in a wood-carving that hangs over a room entryway.
C.A person admires an intricate wood-carving and considers how it was once part of a tree before it became a work of art.
D. A person wonders whether the wood-carving remembers the many seasons the wood saw as part of the natural world.