The proper term for stylistic choices a director tends to employ consistently throughout a certain film or over their body of work is

"Auteur Theory is a way of looking at films that state that the director is the “author” of a film. The Auteur theory argues that a film is a reflection of the director’s artistic vision; so, a movie directed by a given filmmaker will have recognizable, recurring themes and visual queues that inform the audience who the director is (think a Hitchcock or Tarantino film) and shows a consistent artistic identity throughout that director’s filmography.

"The term “Auteur theory” is credited to the critics of the French film journal Cahiers du cinéma, many of which became the directors of the French New Wave. However, according to New York University professor Julian Cornell, the concept had been around for a while prior. The Cahiers critics simply refined the theory."

What is Origins Of Auteur Theory?

Auteur is it’s a favorite term of cinephiles around the world. In this Filmmaker IQ course we peel back pages of time and explore the origins of Auteur Theory from the economically tumultuous adolescence of French Cinema to the culture war waged in the columns of competing American movie critics. Think of Spielberg, Scorsese, Kubrick, Coppola, Fincher, Nolan, PT Anderson, Burton, Tarantino, Wes Anderson or Cassevettes, they all have such of unique style all onto themselves. Many of them have such a strong visual style that you can recognize one of their films from a few frames of the film

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