Respuesta :
Answer:Katherine Anne Porter’s story, “The Jilting of Granny Weatherall” was first published in transition magazine in February, 1929. The story, concerning a dying woman’s memory of being left at the altar on her wedding day and her current fear of being jilted in a similar manner by God, was subsequently collected in Porter’s first published book, Flowering Judas. She has said that the character of Granny Weatherall was based on her own grandmother and that the story was the first of many of her works to be inspired by her Texas roots. Porter’s often fragile health may have also influenced the story. In 1918, she nearly died of influenza; funeral arrangements had been made and her obituary written. In her autobiography, Porter stated that the experience made her different from others: “I had what the Christians call the ’beatific vision,’ and the Greeks called the ’happy day,’ the happy vision just before death,” Such experience may have led her to explore that moment of death in her fiction, a moment in which Granny Weatherall feels that her body is “a deeper mass of shadow in an endless darkness and this darkness would curl around the light and swallow it up.” Nevertheless, the story has remained popular since its publication for the complexities and ambiguities inherent in its stream-of-consciousness narrative and for its carefully drawn portrait of a Southern matriarch confronting the sum total of her life.
Author Biography
Katherine Anne Porter was born in Indian Creek, Texas, in 1890. Her mother died when she was two, and her family moved to Austin where she and her four siblings were raised by their paternal grandmother. When she was eleven, Porter’s grandmother died and she was sent to convent schools, first in Texas, and then in Louisiana. At sixteen she ran away from the school’s stifling environment and got married—her first of four trips to the altar. The union ended in divorce three years later, and Porter, who called herself a “roving spirit,” found work in various cities as it pleased her.
First she moved to Chicago, where she was a journalist and movie extra; then Denver, Colorado, where she worked as a drama critic for the Rocky Mountain News; and then New York City. At this time, when she was only twenty-eight, she suffered a near-fatal attack of influenza that caused her hair to turn white. The permanent effect became one of her trademarks and also the basis for her novella Pale Horse, Pale Rider. In 1920 she moved to Mexico and became involved in a coup attempt to overthrow the president. The social situation of Mexico became the basis for her first published story, “Maria Concepcion,” and for many years, Porter claimed she understood Mexico more than any other place she had lived.
Step-by-step explanation:
